Lu: Hello Mr. Liu! Yesterday, I had a deep understanding of the conversation between Mr. Akira and you. Your breakthrough and success in "another art route" left many things to think about. You have exhibited and lectured at the Florence Academy of Fine Arts, especially at the Masters' Music Department of the Florence Academy of Fine Arts, which held a seminar on your works and sparked a heated reading of "illusionist painting" in Europe. We are hosting a series of high-level academic activities in the holy land of the European Renaissance, and I wonder if it can bring you any inspiration.

Liu: Regarding the interpretation of the European Renaissance, I believe that its essence is not just a "cultural revival", but more importantly, a "ideological revival". The tremendous destruction and impact brought by "new ideas" to the "old system" completely activated the later Western style enlightened cultural system. The great role of "emotional capital" in this cannot be underestimated. Without the investment of the Dante family's "emotional capital", it provided an extremely sufficient material foundation for the Renaissance movement, thus driving a large number of "pioneers" of thought and culture to invest in this magnificent "Renaissance movement," the great engine of "emotional capital", and thus activating the unprecedented activity of "cultural thought" as a great device. The "emotional capital" of the Dante family originated from their understanding and determination to abandon the old system, and this "emotional capital" still affects the process of Western civilization to this day. It is precisely because of the social foundation of this "emotional capital" that a large number of cultural and ideological visionaries, such as Leonardo da Vinci and Michelangelo, have been gathered to play an immeasurable role in destroying the "old system" of power accumulation. They did not use the game of "political power" as a means, but instead used the "Renaissance" as a starting point to promote a change in people's ideological concepts The great cultural movement that touched the political soul, under the instigation of "culture", finally achieved a complete victory! When people commemorate the European Renaissance Movement and its great figures, they often position it as a "Renaissance" and a "cultural and artistic master". I believe that it is more appropriate to characterize this movement as a "cultural and ideological revival" movement, and Da Vinci and others should be designated as great "ideological artists", which will be more beneficial for the extension and development of human later "civilization routes". The 'Renaissance' without the cooperation of 'emotional capital' and 'ideological artists' is destined to fail!

Lu: What path do you think the current cultural prosperity should take.

Liu: Cultural revival must be carried out under the overall ideological track. Currently, the most lacking are "emotional capital" and "ideological art" scholars. Nowadays, most people with huge capital lack empathy, and their profit output is mostly for another type of "profit recovery" service! Today, the most terrifying thing is that cultural groups are vying to join and gather at the center of interest groups that can bring them both fame and fortune, becoming parasites attached to their fat bodies, and "using" has become their lifelong talisman for pursuing "skills".

Lu: Your "Phantom" forum is currently recruiting students, and I believe more insightful individuals will enter your unique "cultural and ideological" realm.

Liu: I'm flattered, thank you!